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1
In the world of literary criticism, there are few things worse than the mealymouthed mixed review. You know the kind: careful and fair, studded with caveats, animated by a vague air of disappointment. The eye stumbles on irritating qualifiers: "nonetheless," "to be fair," "still." The reader finishes the piece dissatisfied and confused. This kind of review pleases no one: not the editor, who wants a provocative piece; not the author, who wants nothing but praise; and certainly not the reader, who wants the critic to be decisive above all.

Critical uncertainty is irritating because it suggests that the critic has failed to do her job. The work of literary criticism, as it's commonly understood, is to render a firm judgment: the critic gathers up a text's contradictions and resolves them into a coherent account of the work's failure or success. She is decisive, knowledgeable, authoritative. The critic masters a text—one could even say dominates it—and the author, who usually has no recourse once a review has been published, must submit to the critic's will.

The passage is primarily concerned with

tracing how an author views the criticism rendered to his book by a critic
explaining how a positive literary criticism can help an author's career
differentiating between what readers and critics think about a literary work
contrasting the approaches taken by readers and critics towards a literary work
presenting the kind of literary criticism the readers expect to read